Revolution 2×2

USB 2 Channel Portable Recording Interface – Modded Out Of The Box!

Revolution 2×2 is built with the most cutting edge, high-end ICs. High-end Vishay, Nichicon, and Wima capacitors are used throughout the entire circuit. All internal gain-staging has been optimized for the very lowest signal-to-noise ratio. All of the analog I/O has not only been built with the finest components, but are fully decoupled and balanced — right to the very core of the convertor! Most manufacturers do not follow this practice, and that allows extra noise contamination during both capture and playback.

Description

Revolution 2×2 – USB 2 Channel Portable Recording Interface – Modded Out Of The Box!

Black Lion Audio have been revered as the “king of audio mods” for years, and have modded countless recording interfaces over the years. But since the very beginning, we’ve been asked when we would create our own interface. So, we planned, engineered, and worked — all in secret, for years. It took an impressive amount of design to revolutionize bus-powered, studio-grade interfaces. Now we are responding with Revolution 2×2: the ultimate in portable recording interfaces. Revolution isn’t another run-of-the-mill interface from big brother — it’s the interface the world has always asked for. Don’t just settle for “the cheap and portable” – get an interface that can do more than just start a demo, but actually finish a top-level record from start to finish.

Specifications

• 24bit, 192KHz USB C interface

• Bus Powered

• Macro MMC clocking

• Analog circuit design utilizing Nichicon, Vishay and Wima capacitors

• PG-i power filtering technology

• USB Class Compliant

• Revolution Software Suite

Revolution Software Suite

• Studio One Artist

• Izotope Elements Suite including Nectar, Neutron, Ozone and RX

• BrainWorx BX Digital

• Lindell 6X500

Studio One Artist

• Mac and PC compatible

• Unlimited tracks

• Multilingual

• 3rd party plugin support

Technical specs

Mic Input 

Input Impedance = 3KΩ (balanced)

Gain Range = 55dB

Frequency Response = 20Hz – 20KHz +/- 0.25dB

THD + N = .00098% (@12dB Gain)

Dynamic Range =  116dB (A-Weighted)

Crosstalk = < 100dB

Line Input 

Input Impedance = 14KΩ (balanced)

Maximum Input = 20dBu

Gain Range = 55dB

Frequency Response = 20Hz – 20KHz +/- 0.25dB

THD + N = .0022% (Min Gain)

Dynamic Range = 126dB (A-Weighted)

Crosstalk = < 100dB

Line Outputs

Output Impedance = 95Ω (balanced)

Max Output Level = 12dBu

Frequency Response = 20Hz – 20KHz +/- 0.25dB

THD+N = .002% (@ +10dBu)

Dynamic Range = 106dB**

Instrument Input 

Input Impedance = 1MΩ (unbalanced)

Gain Range = 55dB

Frequency Response = 20Hz – 20KHz +/- 0.25dB

THD + N = .00114% (@ 0dBu)

Dynamic Range = 103dB (A-Weighted)

Crosstalk = < 100dB

Headphone Outputs

Output Impedance = 2.5Ω

Maximum Signal Output = 9.3dBu

Frequency Response = 20Hz – 20KHz +/- 0.5dB

**Dynamic range is affected by our preference to tuning invidual stages for tonality. We found that the best sounding parts in the output path weren’t necessarily the lowest noise components but they resulted in an optimal tone and signal purity that is instantly apparent to the listener. Electronic design is a game of compromise and we’re confident your ears will agree with our choices.